Not so keen on the part of Bible study that was actually studying the Bible, then?
Surprised y'all never dragged that big ol' Irish boy ran the chapel into it. Seen that youngin Cole go in there from time to time, too, if y'all feel the need to wind it up again.
Surprised y'all never dragged that big ol' Irish boy ran the chapel into it. Seen that youngin Cole go in there from time to time, too, if y'all feel the need to wind it up again.
Well, I for once am certainly glad to hear there wasn't no getting biblical in Bible study.
I suppose I'm... more or less glad to hear I ain't match up well with your taste in women, neither. Speaking of which, reason I called up: 'chu say, honey? Wanna be my date tonight?
I suppose I'm... more or less glad to hear I ain't match up well with your taste in women, neither. Speaking of which, reason I called up: 'chu say, honey? Wanna be my date tonight?
[Omar thinks about staying, once he and Eggsy have as much of the room squared away as they can. It's a desire that's a little bit selfless -- to make sure Haydon stays out -- and a little bit selfish -- to steal a look at all this paper still piled up on the desk -- and a little bit that other thing. The part of him that knows he doesn't know when he'll see Ricki again, and doesn't like the idea of locking the last piece of him away.
In the end, a lot conspires to drive him back to his own room, with Ricki's door locked tight behind him, but he leaves a handwritten note right on top of the stack:]
Still easy to find me.
[Please do, is what he means.]
In the end, a lot conspires to drive him back to his own room, with Ricki's door locked tight behind him, but he leaves a handwritten note right on top of the stack:]
Still easy to find me.
[Please do, is what he means.]
[Omar is still himself, he's still in, and Ricki's weapon is still in his pocket, as are his pills. Because he's still himself -- maybe now more than ever, after the shakeup with Haydon -- he doesn't open the door right away. He calls through it, first:]
You back, darlin'?
You back, darlin'?
[Thank God. He lets out a deep breath and pulls his hand off the gun, pulling Ricki straight into his arms as soon as he opens the door. He tucks his head against his shoulder for a moment, mumbles into his neck:]
Didn't have a lotta love for your visitor.
Didn't have a lotta love for your visitor.
Edited 2015-08-18 20:26 (UTC)
Hell no.
[Which is said, needless to say, emphatically. As far as Omar's concerned, if Ricki goes near Bill Haydon, it's still not going to be any closer than a gunshot away.
Really, he'd like to be the one to put a bullet in the man himself, but he begrudgingly has to admit that it's Ricki's right of first refusal. He glances down the hall, biting his lip, eyes sparking with anger, but then he reaches into his pocket and palms the gun over to Ricki.]
Got something else of yours, too -- for later.
[Which is said, needless to say, emphatically. As far as Omar's concerned, if Ricki goes near Bill Haydon, it's still not going to be any closer than a gunshot away.
Really, he'd like to be the one to put a bullet in the man himself, but he begrudgingly has to admit that it's Ricki's right of first refusal. He glances down the hall, biting his lip, eyes sparking with anger, but then he reaches into his pocket and palms the gun over to Ricki.]
Got something else of yours, too -- for later.
Didn't feel right leaving it there.
[He watches the burst of sudden, eager movement that is Ricki, torn between something like proud anticipation at the idea of Bill Haydon catching a bullet from him and dread that it will end up the other way around.
He's not about to stop him, though. All he does is smile wanly when Ricki kisses his cheek, and pull him in to catch his lips quickly before he takes off.]
Happy hunting, boo.
[He watches the burst of sudden, eager movement that is Ricki, torn between something like proud anticipation at the idea of Bill Haydon catching a bullet from him and dread that it will end up the other way around.
He's not about to stop him, though. All he does is smile wanly when Ricki kisses his cheek, and pull him in to catch his lips quickly before he takes off.]
Happy hunting, boo.
FIRST: classic ricki
THEN: post-apocalyptic australian ricki
AND NOW: psycho 20s london gangster ricki
seriously what the fuck does the admiral have about your face.
THEN: post-apocalyptic australian ricki
AND NOW: psycho 20s london gangster ricki
seriously what the fuck does the admiral have about your face.


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